Placeholder Content Image

Pilot captures once in a lifetime photo of the Northern Lights

<p>A pilot has captured the breathtaking moment he flew beside the Northern Lights while manning a cargo plane. </p> <p>Christiaan van Heijst, a pilot and photographer, shared the incredible image to Instagram, which shows the "turquoise aerial fire" appear in the form of the aurora borealis. </p> <p>Beneath the sea of twirling green lights, the city lights of Reykjavik, the capital of Iceland, illuminated the horizon in a contrasting orange glow far away.</p> <p>The extraordinary photo has racked up thousands of likes in just a few days, as Captain van Heijst shared the entertaining story of his flight and the moment he captured the picture in the caption. </p> <p>“Artificial lights on the horizon: a beacon of civilisation and connectedness to the world after many hours of isolation: no communication in my headset except for the bare minimums in regard to procedures, nor any personal interaction from my Icelandic captain, who’s been mute ever since the landing gear went up on the other side of the planet,” he explained in the post.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/C41LrzMsgN6/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/C41LrzMsgN6/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Christiaan van Heijst (@jpcvanheijst)</a></p> </div> </blockquote> <p>“A character known for his absolute approach to colleagues and deliberate lack of conversational depth during flight."</p> <p>“Hours later, the lights of Reykjavik are abundantly visible and without need, heed or warning, he opens up the intercom and takes his time to start his declaration for a single-person audience: me. Staring out of his window, eyes set on the distant orange glow from his left-hand window, he solemnly proclaims a few seconds later: ‘… the centre of the universe …’, allowing some moments of quiet contemplation and thought on my side, before switching his intercom off again, as if to underline this statement and retreating back in his cone of silence."</p> <p>Mr van Heijst said after the pair touched down four hours later in a cargo-airport in central-Europe, neither shared a single word “besides his solemn proclamation of Iceland’s true worth”.</p> <p>The incredible post has unsurprisingly been met with comments from stunned followers in awe of the natural beauty. </p> <p>“Wow! Incredible shot! Silence is golden indeed,” one person wrote.</p> <p>Mr van Heijst is one of the world’s leading aviation photographers, and has been lucky enough to witness the Northern Lights several times from above, capturing the moment each time to share online.</p> <p><em>Image credits: Instagram </em></p>

International Travel

Placeholder Content Image

Do blue-light glasses really work? Can they reduce eye strain or help me sleep?

<p><em><a href="https://theconversation.com/profiles/laura-downie-1469379">Laura Downie</a>, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a></em></p> <p>Blue-light glasses are said to <a href="https://www.baxterblue.com.au/collections/blue-light-glasses">reduce eye strain</a> when using <a href="https://www.blockbluelight.com.au/collections/computer-glasses">computers</a>, improve your <a href="https://www.ocushield.com/products/anti-blue-light-glasses">sleep</a> and protect your eye health. You can buy them yourself or your optometrist can prescribe them.</p> <p>But <a href="https://mivision.com.au/2019/03/debate-continues-over-blue-blocking-lenses/">do they work</a>? Or could they do you harm?</p> <p>We <a href="https://www.cochranelibrary.com/cdsr/doi/10.1002/14651858.CD013244.pub2/full">reviewed</a> the evidence. Here’s what we found.</p> <h2>What are they?</h2> <p>Blue-light glasses, blue light-filtering lenses or blue-blocking lenses are different terms used to describe lenses that reduce the amount of short-wavelength visible (blue) light reaching the eyes.</p> <p>Most of these lenses prescribed by an optometrist decrease blue light transmission by <a href="https://onlinelibrary.wiley.com/doi/10.1111/opo.12615">10-25%</a>. Standard (clear) lenses do not filter blue light.</p> <p>A wide variety of lens products are available. A filter can be added to prescription or non-prescription lenses. They are widely marketed and are becoming <a href="https://onlinelibrary.wiley.com/doi/10.1111/opo.12615">increasingly popular</a>.</p> <p>There’s often an added cost, which depends on the specific product. So, is the extra expense worth it?</p> <h2>Blue light is all around us</h2> <p>Outdoors, sunlight is the main source of blue light. Indoors, light sources – such as light-emitting diodes (LEDs) and the screens of digital devices – emit varying degrees of blue light.</p> <p>The amount of blue light emitted from artificial light sources is much lower than from the Sun. Nevertheless, artificial light sources are all around us, at home and at work, and we can spend a lot of our time inside.</p> <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/549210/original/file-20230920-16-tsb23b.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/549210/original/file-20230920-16-tsb23b.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/549210/original/file-20230920-16-tsb23b.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=1 600w, https://images.theconversation.com/files/549210/original/file-20230920-16-tsb23b.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=2 1200w, https://images.theconversation.com/files/549210/original/file-20230920-16-tsb23b.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=600&amp;h=450&amp;fit=crop&amp;dpr=3 1800w, https://images.theconversation.com/files/549210/original/file-20230920-16-tsb23b.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=1 754w, https://images.theconversation.com/files/549210/original/file-20230920-16-tsb23b.jpg?ixlib=rb-1.1.0&amp;q=30&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=2 1508w, https://images.theconversation.com/files/549210/original/file-20230920-16-tsb23b.jpg?ixlib=rb-1.1.0&amp;q=15&amp;auto=format&amp;w=754&amp;h=566&amp;fit=crop&amp;dpr=3 2262w" alt="Blue light-filtering lenses block some blue light from screens from reaching the eye" /></a><figcaption><span class="caption">Screens emit blue light. The lenses are designed to reduce the amount of blue light that reaches the eye.</span> <span class="attribution"><a class="source" href="https://www.shutterstock.com/image-vector/blue-light-blocking-ray-filter-lens-2286229107">Shutterstock</a></span></figcaption></figure> <p>Our research team at the University of Melbourne, along with collaborators from Monash University and City, University London, sought to see if the best available evidence supports using blue light-filtering glasses, or if they could do you any harm. So we conducted a <a href="https://www.cochranelibrary.com/cdsr/doi/10.1002/14651858.CD013244.pub2/full">systematic review</a> to bring together and evaluate all the relevant studies.</p> <p>We included all randomised controlled trials (clinical studies designed to test the effects of interventions) that evaluated blue light-filtering lenses in adults. We identified 17 eligible trials from six countries, involving a total of 619 adults.</p> <h2>Do they reduce eye strain?</h2> <p>We found no benefit of using blue light-filtering lenses, over standard (clear) lenses, to reduce eye strain with computer use.</p> <p>This conclusion was based on consistent findings from three studies that evaluated effects on eye strain over time periods ranging from two hours to five days.</p> <h2>Do they help you sleep?</h2> <p>Possible effects on sleep were uncertain. Six studies evaluated whether wearing blue-light filtering lenses before bedtime could improve sleep quality, and the findings were mixed.</p> <p>These studies involved people with a diverse range of medical conditions, including insomnia and bipolar disorder. Healthy adults were not included in the studies. So we do not yet know whether these lenses affect sleep quality in the general population.</p> <h2>Do they boost your eye health?</h2> <p>We did not find any clinical evidence to support using blue-light filtering lenses to protect the macula (the region of the retina that controls high-detailed, central vision).</p> <p>None of the studies evaluated this.</p> <h2>Could they do harm? How about causing headaches?</h2> <p>We could not draw clear conclusions on whether there might be harms from wearing blue light-filtering lenses, compared with standard (non blue-light filtering) lenses.</p> <p>Some studies described how study participants had headaches, lowered mood and discomfort from wearing the glasses. However, people using glasses with standard lenses reported similar effects.</p> <h2>What about other benefits or harms?</h2> <p>There are some important general considerations when interpreting our findings.</p> <p>First, most of the studies were for a relatively short period of time, which limited our ability to consider longer-term effects on vision, sleep quality and eye health.</p> <p>Second, the review evaluated effects in adults. We don’t yet know if the effects are different for children.</p> <p>Finally, we could not draw conclusions about the possible effects of blue light-filtering lenses on many vision and eye health measures, including colour vision, as the studies did not evaluate these.</p> <h2>In a nutshell</h2> <p>Overall, based on relatively limited published clinical data, our review does not support using blue-light filtering lenses to reduce eye strain with digital device use. It is unclear whether these lenses affect vision quality or sleep, and no conclusions can be drawn about any potential effects on the health of the retina.</p> <p>High-quality research is needed to answer these questions, as well as whether the effectiveness and safety of these lenses varies in people of different ages and health status.</p> <p>If you have eye strain, or other eye or vision concerns, discuss this with your optometrist. They can perform a thorough examination of your eye health and vision, and discuss any relevant treatment options.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/213145/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><a href="https://theconversation.com/profiles/laura-downie-1469379"><em>Laura Downie</em></a><em>, Associate Professor in Optometry and Vision Sciences, <a href="https://theconversation.com/institutions/the-university-of-melbourne-722">The University of Melbourne</a></em></p> <p><em>Image credits: Getty Images</em></p> <p><em>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/do-blue-light-glasses-really-work-can-they-reduce-eye-strain-or-help-me-sleep-213145">original article</a>.</em></p>

Body

Placeholder Content Image

How one brave mum is shedding light on postnatal depression through the healing power of music

<p dir="ltr"><em><strong>Warning: This article contains sensitive content which some readers may find distressing.</strong></em></p> <p dir="ltr">It’s no secret that having a baby changes your life in every way. From sleepless nights and feeding routines, to nappy changes and seemingly endless crying, starting a family is, put simply, a life-altering experience. </p> <p dir="ltr">And while the early days of having a newborn can bring love and chaos in equal parts, for some, the days, weeks and months after giving birth can welcome a whole new set of challenges.</p> <p dir="ltr">While most parents are privy to the “baby blues” and a rough day here and there, those struggling with postnatal depression can often be overlooked. </p> <p dir="ltr">Postnatal depression is common, with one in five mums, and one in 10 dads, experiencing postnatal depression symptoms after their baby is born.</p> <p dir="ltr">For Lija (pronounced Le-ah), postnatal depression completely changed her life. </p> <p dir="ltr">Lija, a music teacher from the Central Coast of New South Wales, welcomed her first child, a beautiful daughter named Harper, into the world at the end of 2017. </p> <p dir="ltr">When Lija discovered she was going to become a mum, she was overcome with fear. </p> <p dir="ltr">Lija spoke exclusively with <em>OverSixty</em> about her journey with postnatal depression, and how her feelings of anxiety began as soon as she fell pregnant. </p> <p dir="ltr">“There was this lie in my head that I could not give birth… That I would die. You feel like you can’t make a way through it and you’re predicting all these complications. [Lija’s friends’ traumatic birth experience] confirmed all these feelings and i just thought ‘Maybe you die from this’.”</p> <p dir="ltr">As soon as Lija and her husband began to celebrate the news of their growing family, she quickly began to “spiral” into self-doubt and depressive episodes. </p> <p dir="ltr">“When I found out I was pregnant, it was a spiral. I didn’t think I was good enough, I was crying so much… I didn’t feel like I could tell anyone because I was so gripped in fear.”</p> <p dir="ltr">“It took me about seven months to accept that I was having a kid.”</p> <p dir="ltr">Over the course of her pregnancy, Lija’s mental health continued to plummet with her feelings of fear and self-doubt, which led her down an even darker path. </p> <p dir="ltr">“The worst part was I was suicidal. There were moments where I wanted to end my life because I just felt like my time was up.”</p> <p dir="ltr">These feelings of helplessness led Lija to reach out to a counsellor, who helped manage her mental health symptoms for the rest of her pregnancy and introduced her to hypnobirthing.</p> <p dir="ltr">Her sessions with a hypnobirthing specialist gave Lija the boost she needed to be in tune with her body, and get her through to Harper’s birth with a sense of confidence. </p> <p dir="ltr">“If I’ve grown a baby, I can give birth to a baby. It was all just focus.”</p> <p dir="ltr">When Harper was born, Lija remembers healthcare professionals warning her husband that her mental health could decline, but she was never spoken to directly.</p> <p dir="ltr">“Apparently nurses were talking to my husband after the birth saying ‘She’s going to be prone to postnatal depression, you need to watch her’, but no one told me I was going to be so lonely.” </p> <p dir="ltr">“I was so focused on the birth going well that I hadn’t thought about what happens after, and I didn’t know what postnatal depression was.”</p> <p dir="ltr">When Lija and her husband brought baby Harper home, as they encountered perfectly common issues around sleep and breastfeeding, Lija thought she had failed as a first-time mum.</p> <p dir="ltr">“I felt like I failed as a mum because I couldn't give Harper everything she needed. And that started all these terrible thoughts and I just started to mentally spiral down again. But I didn’t know for about six months that I had postnatal depression.”</p> <p dir="ltr">During the first few months of Harper’s life, Lija began to find simple day-to-day tasks very difficult. </p> <p dir="ltr">“My poor husband… I was a psycho. It began when I said no one was allowed to come over because I was constantly in my pyjamas and I felt ashamed that my house wasn’t clean.”  </p> <p dir="ltr">Lija shared that as she began to settle into the reality of being a mum, Harper’s needs always came first. </p> <p dir="ltr">“I was just in such a routine. I needed to have my baby follow a good structure, which meant my mental health took a backseat. So I just kept spiralling and spiralling.”</p> <p dir="ltr">As Lija tried to better herself, she quickly found out that comparing yourself to other new parents is a slippery slope that welcomes thoughts of self-doubt. </p> <p dir="ltr">“I tried to go to a mum’s club and they all seemed so perfect. I feel like they weren’t real. It was like Instagram mums. So to try and look good, I was spending all this money to try and keep up appearances.”</p> <p dir="ltr">As Lija’s mental health continued to suffer, she said it wasn’t until a difficult conversation with her husband that she realised she needed professional help. </p> <p dir="ltr">“I wasn’t being the normal me. There was no joy, there was no laughter, and I felt like I failed as a mother and as a wife. So my husband said ‘I’ve booked you in for a therapy session’, and that was the start of it.”</p> <p dir="ltr">“I wanted to be better for Harper. I wanted to be a good mum for her. So I had to start working on myself.”</p> <p dir="ltr">Now, five years on, Lija is reflecting on her experience with postnatal depression in the best way she knows how: through her music. </p> <p dir="ltr">Lija’s debut single <em>Save Me</em> details her journey of becoming a mum and bettering herself, while painting an honest portrait of the first months of motherhood. </p> <p><iframe title="YouTube video player" src="https://www.youtube.com/embed/tmHTlybb-rM" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p> <p dir="ltr">After being a musician for most of her life, Lija’s passion took a backseat when she became a mother. </p> <p dir="ltr">“I started to miss my music, because I've done music my whole life. It was so hard to walk past my studio and see the guitar going to waste. I started to miss the other half of me as a musician.”</p> <p dir="ltr">After working on <em>Save Me</em> for several years, Lija believes it is the right time to put her story out there in order to help and inspire other parents struggling with postnatal depression.</p> <p dir="ltr">“It’s okay to be vulnerable. Be real, because you can help others with your honesty.”</p> <p dir="ltr">“It’s also important to remember that babies aren’t going to remember the best outfits they were in, or if they had the best pram. They're going to remember if they were loved or not.”</p> <p dir="ltr">Lija has long been a champion of music and its healing power, which became a saviour in her darkest times through her postnatal depression journey.</p> <p dir="ltr">“I went back to teaching music three months after having Harper. I worked one day a week and these kids and teenagers that were singing to me were actually healing me with their music and their talent.”</p> <p dir="ltr">“Music is something I have always turned to. It has always spoken to me, and I thought if I write a song about my journey, that could heal me too. I thought ‘It’s time to kick fear in the butt and write about life’.”</p> <p dir="ltr">Musical talent is something that runs in the family, with Harper’s singing talents already at “the next level”.</p> <p dir="ltr">“I swear she came out singing! Her ability to hear pitch is insane. In lockdown, she would be singing scales while I was teaching music classes over Zoom. She is just so joyous, and she is like my healing.”</p> <p dir="ltr">Lija’s debut single <em>Save Me</em> is out on now.</p> <p dir="ltr"><strong>Don't go it alone. Please reach out for help.</strong></p> <p dir="ltr"><strong><em>Lifeline: 13 11 14 or <a href="http://lifeline.org.au/">lifeline.org.au</a></em></strong></p> <p dir="ltr"><strong><em>Beyond Blue: 1300 22 4636 or <a href="http://beyondblue.org.au/">beyondblue.org.au</a></em></strong></p> <p dir="ltr"><strong><em>Headspace: 1800 650 890 or <a href="http://headspace.org.au/">headspace.org.au</a></em></strong></p> <p dir="ltr"><strong><em>PANDA (Perinatal Anxiety &amp; Depression Australia): 1300 726 306 or <a href="https://panda.org.au/">panda.org.au</a></em></strong></p> <p dir="ltr"><em>Image credits: Instagram</em></p>

Music

Placeholder Content Image

Indigenous artist seeking white Australian to donate their “future deceased body” to an art installation

<p dir="ltr">An Indigenous artist has put a call out for Australians of “British descent” to donate their “future deceased body” to an art installation. </p> <p dir="ltr">Nathan Maynard, a well known Palawa artist and playwright, put an advertisement for the unusual request in the weekend edition of The Age newspaper.</p> <p dir="ltr">Maynard signed the bizarre request as a “palawa” artist: one of the terms First Nations people from Tasmania use when referring to themselves.  </p> <p dir="ltr">“Palawa artist wanting to find an Australian of British descent who is willing to donate their future deceased body to an art installation,” the notice read. </p> <p dir="ltr">“The work will speak to sacrifice for past sins perpetrated against the palawa. Potential applicants should see this opportunity as an honour.”</p> <p dir="ltr">“The body and memory of the successful applicant will be treated with the utmost respect at all stages of the project.”</p> <p dir="ltr">The call-out was quick to spark backlash when it was reposted on social media, with one writing, “You can’t just obtain bodies for display in newspapers now. This is very bizarre on multiple levels.”</p> <p dir="ltr">Others questioned the legality of the request, with one person writing, “I dunno that this would be legal, tampering with a corpse is a crime! You can donate your body to medical science, but I don’t think this.” </p> <p dir="ltr">Another wrote, “Borderline psychotic, definitely completely illegal.”</p> <p dir="ltr">Despite the criticism, Mr Maynard told Daily Mail Australia that since the notice went to print, he has received half a dozen applications for their body to be used in the installation in November. </p> <p dir="ltr">The artist said if white Australians are upset by the request, they should ask themselves why they didn't have the same reaction to the mass murder of Aboriginal people. </p> <p dir="ltr">“If you’re not an Aboriginal person and you’re upset by this, I think you should ask yourself why you’re not upset that there is still First Nations remains that have been stolen from their people, stolen from their country in institutions all around the world that are still not repatriated to their own communities,” he said.</p> <p dir="ltr">Nathan said the motivation behind his installation revolves around the fact that thousands of First Nations people were killed by colonists, with their remains being sent overseas to be displayed in institutions and museums without a proper ceremony. </p> <p dir="ltr">“So many Aboriginal people's remains are still overseas. People are trying to bring their ancestors home and they are being denied that right,” Mr Maynard said. </p> <p dir="ltr">“Human bodies are very sacred and they should be treated with respect.”</p> <p dir="ltr">“Whitefellas obviously don't know how to handle remains with respect, so I'm going to show them how,” he said. </p> <p dir="ltr">The artwork has already received support from the state-funded Tasmanian Museum and Gallery and the Hobart City Council, which has donated $15,000 to the unusual installation.</p> <p dir="ltr">The artwork has been commissioned to appear as part of an exhibition for the popular Hobart Current biennial exhibition in November 2023. </p> <p dir="ltr"><em>Image credits: Facebook / The Age</em></p>

Music

Placeholder Content Image

Jimmy Barnes’ light-hearted surgery update

<p dir="ltr">Jimmy Barnes is back on his feet after a gruelling surgery. </p> <p dir="ltr">The iconic singer has shared an update with his followers on Instagram, as he grinned and stood in his hospital room with the help of a walker. </p> <p dir="ltr">As Barnes smiled ear to ear while standing straight, he added the song Walk This Way by RUN DMC, showing he is in good spirits as he continues his recovery. </p> <p dir="ltr">This is the second update fans have been given in the last 24 hours about Barnes' health after the Aussie rocker's daughter Elly-May Barnes <a href="https://oversixty.com.au/health/caring/jimmy-barnes-daughter-issues-sweet-health-update" target="_blank" rel="noopener">informed</a> that her dad was "out of surgery and awake".</p> <p dir="ltr">In an adorable Instagram post on her father’s account, Elly-may shared an update with a photo of her dad smiling as well as an X-ray of his hip post-surgery.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-permalink="https://www.instagram.com/p/CmGYzIIrYYT/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CmGYzIIrYYT/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Jimmy Barnes (@jimmybarnesofficial)</a></p> </div> </blockquote> <p dir="ltr">“Hey everyone it’s @ellymaybarnes, my dadda is out of surgery and awake,” she wrote.</p> <p dir="ltr">“The doctors are very happy. Thanks for all the well wishes”</p> <p dir="ltr">Barnes, 66, was due to perform multiple shows around Australia in 2023 but was forced to cancel the gigs to have surgery on his back and hip to relieve chronic pain.</p> <p dir="ltr">“I’ve been jumping off PAs and stomping around stages for nearly 50 years, but it’s finally caught up with me,” Barnes said in a statement in November. </p> <p dir="ltr">“I’ve had niggling back and hip issues for years, but things suddenly got a lot worse over the last few weeks and I’m now in constant and severe pain.”</p> <p dir="ltr">“As everybody knows, it’s against my religion to blow out gigs but the doctors tell me I need an operation as soon as possible and it will really limit my movement for a few months.</p> <p dir="ltr">“As much as it kills me to inconvenience everyone, I have to get this fixed so I can jump around onstage for another 50 years.”</p> <p dir="ltr"><em>Image credits: Instagram </em></p>

Caring

Placeholder Content Image

Caught in the act: supermassive black hole 8.5 billion light years away enjoys violent stellar snack

<p>A supermassive black hole at the centre of a galaxy some 8.5 billion years way has ripped apart a nearby star, producing some of the most luminous jets ever seen.</p> <p>When stars and other objects stray too close to a <a href="https://cosmosmagazine.com/space/how-big-is-a-black-hole-watch-how-it-eats/" target="_blank" rel="noreferrer noopener">supermassive black hole</a> they are destroyed by the black hole’s immense gravity.</p> <p>These occurrences, known as <a href="https://cosmosmagazine.com/space/a-star-is-torn/" target="_blank" rel="noreferrer noopener">tidal-disruption events (TDEs)</a>, result in a <a href="https://cosmosmagazine.com/space/the-sleeping-giant-black-hole-that-awoke-to-destroy-a-star/" target="_blank" rel="noreferrer noopener">circling disk of material</a> that is slowly pulled into the black hole and very occasionally, as in the case of supermassive black hole AT2022cmc, ejecting bright beams of material travelling close to the speed of light.</p> <p>Luminous jets are produced in an estimated 1% of cases and are known as a type of astronomical occurrence known as a transient, because they are short-lived.</p> <p>Bright flashes from the jets were spotted in data from the <a href="https://www.ztf.caltech.edu/" target="_blank" rel="noreferrer noopener">Zwicky Transient Facility (ZTF)</a> in <a href="https://astronomerstelegram.org/?read=15232" target="_blank" rel="noreferrer noopener">February this year</a> using a special new technique which can comb through the equivalent of a million pages of information every night.</p> <p>Due to the rapid results produced by the novel data analysis method, a research team in the US was able to swiftly follow up on the transient event with multiwavelength observations of the system from different observatory facilities.</p> <p>The jets were visible across many wavelengths, from X-rays to radio, and follow-up observations enabled the European Southern Observatory’s <a href="https://www.eso.org/public/australia/teles-instr/paranal-observatory/vlt/" target="_blank" rel="noreferrer noopener">Very Large Telescope</a> to place AT2022cmc at a whopping distance of 8.5 billion light years away, while optical and infrared observation from NASA’s <a href="https://www.nasa.gov/mission_pages/hubble/main/index.html" target="_blank" rel="noreferrer noopener">Hubble telescope</a> were able to precisely pinpoint AT2022cmc’s location.</p> <p>“The last time scientists discovered one of these jets was well over a decade ago,” said Michael Coughlin, an assistant professor of astronomy at the University of Minnesota Twin Cities and co-lead on the paper <a href="https://www.doi.org/10.1038/s41586-022-05465-8" target="_blank" rel="noreferrer noopener">published in <em>Nature</em></a>. “From the data we have, we can estimate that relativistic jets are launched in only 1% of these destructive events, making AT2022cmc an extremely rare occurrence.”</p> <p>Exactly why this behaviour is so rare remains an enigma, however, the research team believe that AT2022cmc’s rapid spin powers the jets, adding to the current understanding of the physics of these behemoth dead stars at the centres of galaxies.</p> <p>This detection – and the method used to discover it – are valuable as a future models for astronomers as they scour the skies for more events. “Scientists can use AT2022cmc as a model for what to look for and find more disruptive events from distant black holes,” says lead author Igor Andreoni, from the Department of Astronomy at UMD and NASA Goddard Space Flight Centre.</p> <p>This includes using ground-based optical surveys, as opposed to gamma-ray observatories in space – how previous jets were primarily discovered.</p> <p>“Our new search technique helps us to quickly identify rare cosmic events in the ZTF survey data,” says Andreoni.</p> <p>“And since ZTF and upcoming larger surveys such as <a href="https://www.lsst.org/" target="_blank" rel="noreferrer noopener">Vera Rubin’s Large Synoptic Survey Telescope</a> scan the sky so frequently, we can now expect to uncover a wealth of rare, or previously undiscovered cosmic events and study them in detail. More than ever, big data mining is an important tool to advance our knowledge of the universe”.</p> <p><img id="cosmos-post-tracker" style="opacity: 0; height: 1px!important; width: 1px!important; border: 0!important; position: absolute!important; z-index: -1!important;" src="https://syndication.cosmosmagazine.com/?id=226753&amp;title=Caught+in+the+act%3A+supermassive+black+hole+8.5+billion+light+years+away+enjoys+violent+stellar+snack" width="1" height="1" data-spai-target="src" data-spai-orig="" data-spai-exclude="nocdn" /></p> <div id="contributors"> <p><em><a href="https://cosmosmagazine.com/science/supermassive-black-hole-stellar-snack/" target="_blank" rel="noopener">This article</a> was originally published on Cosmos Magazine and was written by Clare Kenyon. </em></p> <p><em>Image: Getty Images</em></p> </div>

Technology

Placeholder Content Image

Obese yet malnourished toddler mummy sheds light on life in 17th century aristocratic Austria

<p>In a creepy discovery published, a collaboration of German scientists have performed a ‘virtual autopsy’ on a mummified toddler’s body, found in a 17th century Austrian crypt.</p> <p>Buried in a wooden coffin that was slightly too small and deformed the skull, the young child’s body appeared to be both obese and malnourished. Researchers say the findings might provide a rare insight into historical Austrian aristocratic society.</p> <p>By using CT scanning, scientists were able to perform a ‘virtual autopsy’ on the mummy which was naturally mummified in the conditions of the crypt. Well-preserved soft tissue showed the child was a boy, overweight for his age, and radiocarbon dating suggests a date of death between 1550 and 1635 CE.</p> <p>By examining the formation and length of the body’s bones, plus evidence of tooth eruption, the researchers were able to estimate that the child was about one year old when he died. The bones also showed that despite being well-fed, the boy was malnourished, with his malformed ribs displaying signs of rachitic rosary. This condition presents in a pattern of prominent bony knobs at points where the rib joins cartilage and results from diseases associated with specific vitamin deficiencies such as rickets (vitamin D) and scurvy (vitamin C).</p> <p>Vitamin D is found in foods like salmon, tuna, mackerel and beef liver and egg yolks, but we typically only get around 10% of our required Vitamin D from our diets – the rest is made by our bodies when exposed to ultraviolet B (UVB) from the sun.</p> <p>“The combination of obesity along with a severe vitamin-deficiency can only be explained by a generally ‘good’ nutritional status along with an almost complete lack of sunlight exposure,” said Dr Andreas Nerlich of the Academic Clinic Munich-Bogenhausen and lead researcher.</p> <p>The child appears to have died from pneumonia, judging by the evidence of inflammation in the lungs. Rickets is known to make children more vulnerable to pneumonia, suggesting that, sadly, not only was the child malnourished, but that this condition may have also led to his untimely demise.</p> <p>“We have to reconsider the living conditions of high aristocratic infants of previous populations,” said Nerlich.</p> <p>Relatively little is known about aristocratic childhood in the late Renaissance period, so these mummified remains give key insights into life in Europe of a period generally known for its fervent creativity and intellectual development.</p> <p>“This is only one case,” said Nerlich, “but as we know that the early infant death rates generally were very high at that time, our observations may have considerable impact in the over-all life reconstruction of infants even in higher social classes.”</p> <p>To understand more about this period, researchers scoured historical records of the crypt and the family to whom the crypt belonged. Curiously, the child was buried in a simple, unmarked, wooden coffin, although he was dressed in an expensive silk hooded coat. The unmarked coffin appeared to have been slightly too small for the body such that the skull became deformed and was the only infant buried amongst the identifiable adult metal coffins in the crypt.</p> <p>Historical records of renovations on the crypt confirmed the radiocarbon dating, indicating the child was likely buried sometime after 1600 CE.</p> <p>The crypt belonged to the Counts of Starhemberg and traditionally was kept exclusively for the burial of heirs to their titles, and their wives, making the body likely to be that of the first-born (and only) son, Reichard Wilhelm, of Count Starhemberg.</p> <p>“We have no data on the fate of other infants of the family,” Nerlich said, regarding the unique burial. “According to our data, the infant was most probably [the count’s] first-born son after erection of the family crypt, so special care may have been applied.”</p> <p><strong>This article originally appeared on <a href="https://cosmosmagazine.com/history/toddler-mummy-17thcentury-austria/" target="_blank" rel="noopener">cosmosmagazine.com</a> and was written by Clare Kenyon. </strong></p> <p><em>Image: </em><em>Andreas et al. (2022)</em></p>

Travel Trouble

Placeholder Content Image

Manipulating light can induce psychedelic experiences – and scientists aren’t quite sure why

<p>For millennia, people have used mind-altering techniques to achieve different states of consciousness, envision spiritual figures, connect with nature, or simply for the fun of it. Psychedelic substances, in particular, have a long and controversial <a href="https://theconversation.com/psychedelic-drugs-can-be-almost-as-life-altering-as-near-death-experiences-189325">history</a>. But for just as long, people have been having these experiences without drugs too, using <a href="https://www.mdpi.com/2076-3425/11/1/101">rhythmic techniques such as rocking, chanting or drumming</a>.</p> <p>Perhaps the most powerful technique of this kind is flickering light, called “ganzflicker”. Ganzflicker effects can be achieved by turning a light on and off, or by alternating colours in a rapid, rhythmic pattern (like a strobe). This can create an instant psychedelic experience. </p> <p>Ganzflicker elicits striking visual phenomena. People can see geometric shapes and illusory colours but sometimes also complex objects, such as animals and faces – all without any chemical stimulants. Sometimes ganzflicker can even lead to altered states of consciousness (such as losing a sense of time or space) and emotions (ranging from fear to euphoria).</p> <p>Although its effects are little known today, ganzflicker has influenced and inspired many people through the ages, including the two of us. We are an art historian and brain scientist working together on an interactive showcase of ganzflicker techniques used in science and art. Our collaboration has culminated in the museum exhibition <a href="https://reshannereeder.com/ganzflicker-exhibit">“Ganzflicker: art, science, and psychedelic experience”</a>, which is part of the 2022 <a href="https://www.beinghumanfestival.org/">Being Human festival</a>.</p> <p>Ganzflicker’s effects were first documented in 1819 by the physiologist <a href="https://www.karger.com/Article/FullText/235945">Jan E. Purkinje</a>. Purkinje discovered that illusory patterns could appear if he faced the sun and waved his hand in front of his closed eyelids.</p> <p>Near the end of the 19th century, an English toymaker and amateur scientist, <a href="https://www.nature.com/articles/051200c0">Charles Benham</a>, produced the first commercially available flicker device: a top with a monochrome pattern that, when spun, produced illusory colours that swirled around the disc. </p> <p>Modified versions of Benham’s “artificial spectrum top” were used in experiments well into the 20th century. William Grey Walter, a pioneering neurophysiologist and cybernetician, <a href="https://link.springer.com/chapter/10.1007/978-3-642-70911-1_17">pushed flicker effects further</a> by using electric strobe lights, synchronised with the brain’s rhythms.</p> <p>Fascinated by the mind-altering potential of Walter’s machinery, the artist Brion Gysin, in collaboration with writer William S. Burroughs and mathematician Ian Sommerville, invented the <a href="http://mindcontrol-research.net/wp-content/uploads/2016/12/14_2_dream-machine-plans.pdf">Dreamachine</a> (1962).</p> <h2>The swinging 60s of drug-free psychedelics</h2> <p>A Dreamachine consists of an upright cylinder with patterns cut into it and a lightbulb suspended at its centre. When spun on a turntable at 78rpm, the flickering patterns (viewed through closed eyelids) can cause trance-like hallucinations.</p> <p>Gysin thought of the Dreamachine as a new kind of artwork – “the first art object to be seen with the eyes closed” – and a form of entertainment, which he believed could replace the television. Others saw the Dreamachine’s potential to be a source of spiritual inspiration.</p> <p>Burroughs thought it could be <a href="https://faroutmagazine.co.uk/brion-gysin-the-pioneering-artist-who-invented-the-dreamachine/">used to</a> “storm the citadels of enlightenment”. The poet Alan Ginsberg said: “It sets up optical fields as religious and mandalic as hallucinogenic drugs – it’s like being able to have jewelled biblical designs and landscapes without taking chemicals.”</p> <p>Flicker experiments in art did not stop with the Dreamachine. Others included Tony Conrad’s groundbreaking structuralist film <a href="https://fourthree.boilerroom.tv/film/flicker-tony-conrad">The Flicker</a> (1966), which was the first artwork to include the warning “may induce epileptic seizures or produce mild symptoms of shock treatment in certain persons”. </p> <p>The conceptual artist James Turrell’s <a href="https://jamesturrell.com/work/bindu-shards/">Bindu Shards</a> (2010) was an enclosed globe that bombards the observer with strobe light. And, more recently, Collective Act created its own <a href="https://dreamachine.world/">Dreamachine</a> (2022) , a public planetarium-style artwork inspired by Gysin’s which toured the UK.</p> <h2>The science of ganzflicker</h2> <p>Two hundred years after Jan Purkinje documented the physiological properties of ganzflicker, scientists still do not have a definitive explanation for how it works. </p> <p>A recent theory proposes that visual phenomena may be the result of interactions between external flicker and the brain’s natural rhythmic electrical pulses, with more intense images manifesting <a href="https://theconversation.com/pseudo-hallucinations-why-some-people-see-more-vivid-mental-images-than-others-test-yourself-here-163025">when the frequencies of flicker and the brain are closest</a>.</p> <p>It is also likely that a strong visual flicker influences brain states. Meaningful visions, altered conscious states and heightened emotions may be the result of <a href="https://www.nature.com/articles/s41467-020-18591-6">imaginative suggestion</a>, which is amplified by the trance-inducing properties of <a href="https://www.mdpi.com/2076-3425/11/1/101">rhythmic stimulation</a>.</p> <p>What is perhaps most powerful about ganzflicker is its universality. Engineers, mathematicians, artists, historians and scientists have all been united by this modest, drug-free means of eliciting dramatic changes in consciousness. The new wave of popularity on this topic will undoubtedly lead to illuminating discoveries in the coming years.</p> <p><em>Image credits: Getty Images</em></p> <p><em>This article originally appeared on <a href="https://theconversation.com/manipulating-light-can-induce-psychedelic-experiences-and-scientists-arent-quite-sure-why-192885" target="_blank" rel="noopener">The Conversation</a>. </em></p>

Art

Placeholder Content Image

Diwali festivals light up the world

<p dir="ltr">Celebrations of Diwali, or the Festival of Lights, has seen homes across India and elsewhere in the world light up with colour as many gathered to celebrate it for the first time since the COVID-19 pandemic.</p> <p dir="ltr">For Hindus and Jains, Diwali symbolises the victory of light over darkness and commemorates the return of Lord Ram to the Ayodhya kingdom after 14 years of exile.</p> <p dir="ltr">It’s a time of gift-giving and celebrating with friends and family at mandirs (Hindu temples) or at home, with spaces decorated with oil lamps, candles, fireworks and intricate rangoli designs in doorways.</p> <p dir="ltr">While the festivities are due to end on Wednesday, the celebration reached its peak on Monday, the darkest day of the year.</p> <p dir="ltr">On Sunday night, more than 1.5 million lamps were lit and kept burning for 45 minutes at Ram ki Paidi in the city of Ayodhya, beating last year’s World Guinness Record of 900,000 lamps staying lit.</p> <p dir="ltr">Ahead of Sunday’s event, the city was decked out in fairy lights and a laser and fireworks show illuminated the lanes and riverbanks.</p> <p dir="ltr">The festivities weren’t just restricted to Ayodhya either, with celebrations occurring around the world.</p> <p dir="ltr">The Sikh community celebrated a different festival called Bandi Chhor Divas, or the Day of Liberation, which marked the day that the religion’s sixth teacher, Guru Hargobind, led 52 princes out of prison to Amritsar, a city in the north-western Indian state of Punjab.</p> <p><span id="docs-internal-guid-5a9c086f-7fff-3f66-a77e-8ff307af47cb"></span></p> <p dir="ltr">The two-day festival serves as a reminder of the importance of freedom and civil rights, with the second day coinciding with Diwali.</p> <p dir="ltr"><em>Images: Getty Images</em></p>

International Travel

Placeholder Content Image

Why it's important to install updates on your device

<p>Ever wondered if installing updates is worth the bother? Here's what you need to know.</p> <p>Whether you use an iPad, tablet, laptop or desktop computer, you have probably been prompted at one point to update your device. While these pop-up boxes may look like the spam you see on websites, they’re far from it.</p> <p>The device you use will have an operating system built into it, so iPads or Mac laptops will operate on Apple’s iOS system while tablets and laptops not made by Apple will run on Windows. Whichever system your device uses, it will eventually need an update. While it can be easy to dismiss the update notifications when they pop up on your screen, here’s why you shouldn’t.</p> <p><strong>What’s the point?</strong> <br />When a software program is developed, it is put through tests and quality checks and only once that has been satisfied is it released to the general public. However, once the software is out there in the world, and being used in real-life environments, it can come across little issues which get reported back to the developer. These companies then fix the issues and release the solutions as software updates.</p> <p>For electronic devices, especially laptops and desktop computers, security issues can be a big problem. Software updates include security solutions to malware or hackers, as well as fixes to bugs and any other issues that have occurred since the software was released.</p> <p><strong>Is it different to an upgrade?</strong><br />While they may sound similar, a software update and an upgrade provide two different functions. An update will install a current version of your software to your device, so basically updating your existing version of iOS or Windows. On the other side of the coin is an upgrade, which allows you to upgrade a program to its next major version. Generally, there will be a cost for a software upgrade.</p> <p><strong>How do I get updates?</strong><br />If your device is connected to the internet and it detects an update is available, it will prompt you with a notification message. This will alert you to the fact that an update is available and advise you of the next steps to step, such as clicking on a button on the notification message which will start the process for you.</p> <p>In System Settings on Apple devices and Control Panel for Windows devices, there’s an option where you can turn on automatic updating. This can provide significant benefits, such as improved security and reliability.</p> <p>Ultimately, software updates exist for a reason. While they may take a little while to download and install on your device, they are worth it. So, the next time that grey box pops up on your screen saying there’s an update available, click on it. It’ll keep your tablet or laptop secure and up-to-date with your software’s latest features.</p> <p><em>Image credits: Getty Images </em></p>

Technology

Placeholder Content Image

First look of Keanu Reeves in fourth John Wick installment

<p dir="ltr">The first trailer of <em>John Wick: Chapter 4</em> has finally been released.</p> <p dir="ltr">Hollywood heartthrob Keanu Reeves returns as John Wick in the fourth chapter of the series which is due for release on March 24, 2023.</p> <p dir="ltr">“You wanted him back. He’s back. Watch the first sneak peek for #JW4 – in theaters March 2023,” the movie’s official Twitter account wrote along with the trailer. </p> <p dir="ltr">The fourth installment will see the bounty for Wick’s head soar as he takes his fight against the High Table global.</p> <p dir="ltr">Wick also seeks out some of the most powerful players in the underworld, from New York to Paris to Osaka to Berlin.</p> <blockquote class="twitter-tweet"> <p dir="ltr" lang="en">You wanted him back. He’s back. Watch the first sneak peek for <a href="https://twitter.com/hashtag/JW4?src=hash&amp;ref_src=twsrc%5Etfw">#JW4</a> – in theaters March 2023. <a href="https://t.co/3T0rMxLj5P">pic.twitter.com/3T0rMxLj5P</a></p> <p>— John Wick (@JohnWickMovie) <a href="https://twitter.com/JohnWickMovie/status/1550888472134705152?ref_src=twsrc%5Etfw">July 23, 2022</a></p></blockquote> <p dir="ltr">Prior to the teaser trailer release, an official still from the film was shared on social media. </p> <p dir="ltr">It shows Reeves' Wick surrounded by candles and praying - possibly reflecting on the crazy life he’s led since his wife died and dog brutally killed. </p> <p dir="ltr">Watch this space! </p> <p dir="ltr"><em>Images: Twitter</em></p>

Movies

Placeholder Content Image

AI-based traffic control gets the green light

<p>At the end of my Melbourne street there’s a new system being installed for traffic management. I hadn’t even noticed the extra cameras, vehicle and pedestrian sensors, LiDAR and radar on the intersection, but these tools are all part of a larger system, with researchers hoping that a 2.5km section of Nicholson Street, in Carlton, will eventually be run by an artificial intelligence (AI).</p> <p>This might sound a little nerve-wracking to the average commuter, but these “smart corridors” are popping up around the world – systems that promise to provide us with less traffic and better safety. </p> <p>“Many cities around the world have dedicated corridors or smart motorways that are equipped with sensors, CCTV cameras and AI for predicting the traffic flow, speed, or occupancy at a specific moment in time,” says Dr Adriana-Simona Mihaita, an AI infrastructure researcher at the University of Technology Sydney, who was not involved in the research.</p> <p>“Accurate predictions will provide transport operators with the means to make informed decisions and apply new control plans, or adjust the current ones according to ongoing traffic or eventual disruptions.”</p> <p>Even without AI, <a href="https://www.vicroads.vic.gov.au/traffic-and-road-use/traffic-management/traffic-signals/how-traffic-signals-work" target="_blank" rel="noreferrer noopener">our current traffic light systems are complex technology</a>. Detectors under the road surface clock the presence of vehicles and determine whether the lights change, and how long the green lasts for. The “push button” changes the green walk display, and some detectors even determine how fast or slow the pedestrians are moving. This is all controlled – in Australia at least – by a system called SCATS, or <a href="https://en.wikipedia.org/wiki/Sydney_Coordinated_Adaptive_Traffic_System" target="_blank" rel="noreferrer noopener">Sydney Coordinated Adaptive Traffic System</a>.</p> <p>This is an “intelligent transport system”, but it’s not machine learning or AI. Think of it as a calculator, but the values being input are cars and pedestrians, not numbers. And SCATS does have its flaws. To start with, it’s unable to see cars coming – only registering them once they’ve arrived on the detector. And the system is also not particularly good at including other modes of transport such as trams, cyclists and pedestrians.</p> <p>This is where Nicholson Street – home to plenty of cyclists and the 96 and 86 trams – will come in handy.</p> <p>“With SCATS there are loop detectors that tell us how many cars are in the queue from all directions, but we don’t really see the number of cyclists, or pedestrians, and we don’t take their delays into account,” explains one of the researchers on this Nicholson Street project, University of Melbourne transport engineer Dr Neema Nassir.</p> <p>“As long as we build our environment around cars, and prioritise their right of way over other modes of transport, we are promoting people using that mode of transport.”</p> <p>Using 180-degree high-definition cameras, as well as a range of detectors (including the normal SCATS detectors), Nassir and the team of researchers are currently testing the AI system using this real-world data in a computer simulation.</p> <p>When the AI eventually starts testing and directing traffic in the real world, it will be done using “edge computing”. This means that the AI-based traffic optimisation will happen at the intersection or “node” rather than at a central system. With the sensors taking and analysing the data almost instantly, the lights might change if there are more pedestrians waiting, or a tram might get right of way if it’s running behind schedule.</p> <p>Nassir hopes the intersections will be safer, trams will run more evenly, and there will be less stopping for cars on the road.</p> <p>However, there might also be some hiccups on the way.</p> <p>Safety is the top priority for the system, with efficiency coming in second. This means that the AI will be more likely to cause traffic jams than accidents.</p> <p>“If everything goes wrong with the algorithm and with the computations, it’s more likely that we may end up with a gridlock as opposed to safety concerns,” Nassir says. “We’re talking about an intersection that is designed to be robust enough that it can operate even when the traffic lights are off.”</p> <blockquote class="wp-block-quote"> <p>The AI will be more likely to cause traffic jams than accidents.</p> </blockquote> <div class="newsletter-box"> <div id="wpcf7-f6-p197191-o1" class="wpcf7" dir="ltr" lang="en-US" role="form"> </div> </div> <p>Having humans in this scenario, who are able to stop if required, is actually helpful. Unlike an autonomous car, which needs to function in an almost <a href="https://www.youtube.com/watch?v=RVkLI9pPd24&amp;t=166s" target="_blank" rel="noreferrer noopener">unlimited number of circumstances</a> without a human behind the wheel, traffic systems are comparatively simple. And, if something was to go wrong, humans are able to make a judgement and stop or swerve if required. Plus, because SCATS is already automated, it means that that the commuters coming through Nicholson Street might not even notice the change.  </p> <p>But that presents another dilemma – is it okay to record all this extra information and send it through an AI to make decisions?</p> <p>“The most important type of sensors are high-definition cameras,” says Nassir. “These are mounted high on poles and have 180 degrees of coverage, up to 50 metres down each approach. These are coupled with image-processing software that can help us detect and register and classify different types of passengers.</p> <p>“We also work with the data from key cards on public transport . There are tight regulations and rules regarding this personal data. It is always anonymised and protected.”</p> <blockquote class="wp-block-quote"> <p>Because SCATS is already automated, the commuters might not even notice the change.</p> </blockquote> <p>Nassir says the cameras are not capable of being used for facial recognition. In a world where facial recognition is happening every time you <a href="https://mashable.com/article/police-try-to-unlock-handcuffed-man-iphone-face-id" target="_blank" rel="noreferrer noopener">open your phone</a> and <a href="https://www.choice.com.au/consumers-and-data/data-collection-and-use/how-your-data-is-used/articles/kmart-bunnings-and-the-good-guys-using-facial-recognition-technology-in-store" target="_blank" rel="noreferrer noopener">in stores like Bunnings and Kmart</a>, traffic lights are probably not the place we need to be too concerned about our privacy being invaded.</p> <p>“Several phone applications that are currently in use today are already collecting private mobility data, together with personal preferences and route choice patterns, which represent a deeper concern for daily transport choices,” says Mihaita.</p> <p>“Similarly, public parking areas in large shopping malls have automatic plate recognition capability and store daily information on all vehicles entering/exiting the malls, which could be seen as personal information shared with the consent given while entering the parking area.”</p> <p>But ethical issues don’t just stop at these records. According to Professor Toby Walsh, an AI researcher from the University of New South Wales, there’s a number of ethical questions we should be aware of as these systems become integrated into our daily lives.</p> <p>For example, if our traffic systems know who we are, it might not just be a case of prioritising cars over other forms of transport, but instead the rich over the poor, or the paying verses the non-paying.</p> <p>“At stake are fundamental issues of fairness and justice,” Walsh explains. “You might start having to trade off my journey time against your journey time. Who gets priority?</p> <p>“Then there’s an environmental ethical issue: are we encouraging people to make more individual car journeys by improving traffic flow? Should we actually be trying to discourage people from getting in cars, and encouraging them to Zoom for work or get public transport?”</p> <p>Although the Nicholson Street AI project is trying to balance the priorities of trams, pedestrians, cyclists and cars, <a href="https://www.unimelb.edu.au/newsroom/news/2022/march/worlds-smartest-traffic-management-system-launches-in-melbourne" target="_blank" rel="noopener">easing urban congestion</a> is also an important part of the project, and as Walsh says, “Traffic is like an ideal gas that expands to fill the roads available.”</p> <blockquote class="wp-block-quote"> <p>“You might start having to trade off my journey time against your journey time. Who gets priority?”</p> <p><cite>Professor Toby Walsh, UNSW</cite></p></blockquote> <p>Despite these questions, Walsh argues that even if AI isn’t perfect, humans are worse. He has been involved in the research for another AI intersection – a particularly busy roundabout in the south-west of Sydney.</p> <p>“A thousand people are going to die in Australia in the next year, caused by traffic accidents. Almost all of those accidents are caused by human stupidity. Almost all of those accidents wouldn’t happen if we ceded our human control and all of our misjudgements – all of our texting and drinking and driving – to machines,” he says.</p> <p>“There’s always going to be unintended consequences – random shit happens, and the death rates are never going to be zero. But it would be a small fraction of what it is today.”</p> <p><img id="cosmos-post-tracker" style="opacity: 0; height: 1px!important; width: 1px!important; border: 0!important; position: absolute!important; z-index: -1!important;" src="https://syndication.cosmosmagazine.com/?id=197191&amp;title=AI-based+traffic+control+gets+the+green+light" width="1" height="1" /></p> <div id="contributors"> <p><em><a href="https://cosmosmagazine.com/technology/ai-based-traffic-control/" target="_blank" rel="noopener">This article</a> was originally published on <a href="https://cosmosmagazine.com" target="_blank" rel="noopener">Cosmos Magazine</a> and was written by <a href="https://cosmosmagazine.com/contributor/jacinta-bowler" target="_blank" rel="noopener">Jacinta Bowler</a>. Jacinta Bowler is a freelance science journalist who has written about far-flung exoplanets, terrifying superbugs and everything in between. They have written articles for ABC, SBS, ScienceAlert and Pedestrian, and are a regular contributor for kids magazines Double Helix and KIT.</em></p> <p><em>Image: Getty Images</em></p> </div>

Technology

Placeholder Content Image

PETA complaint leads to controversial art installation being dismantled

<p dir="ltr">A controversial art installation has been dismantled in Germany after animal rights organisation PETA filed a complaint. </p> <p dir="ltr">The installation titled <em>A Hundred Years</em>, first exhibited in 1990 by artist Damien Hirst, was designed to see hundreds of flies die, prompting outrage from PETA. </p> <p dir="ltr">The Kunstmuseum Wolfsburg museum was issued an oral warning from the German city’s veterinary office, to which Kunstmuseum Wolfsburg director Andreas Beitin told local media, “We thought flies were not covered by the Animal Welfare Act.”</p> <p dir="ltr"><em>A Hundred Years</em> consists of a glass display case partitioned in half, with flies being hatched on one side of the glass. </p> <p dir="ltr">When they venture through a hole in the partition, the flies are drawn to an artificial light which burns the flies on contact. </p> <p dir="ltr">The cycle continues until the end of its exhibition.</p> <p dir="ltr">Hirst has previously described the artwork as “a life cycle in a box.” </p> <p dir="ltr">In the original iteration, the flies flocked around a bloody cow’s head, to which curator Hans Ulrich Obrist described the work in its original form as “dangerous and frightening.”</p> <p dir="ltr">“Killing animals has nothing to do with art, it only shows the arrogance of people who literally go over corpses for their own interests,” Peter Höffken of PETA said in a statement. </p> <p dir="ltr">According to Germany’s Animal Welfare Act, there “must be good reason for one to cause an animal harm.”</p> <p dir="ltr">The managing director of the art museum, Otmar Böhmer, told the German Press Agency that they agree with PETA’s sentiment. </p> <p dir="ltr">“We share the basic idea of the animal welfare organisation that animals are not there to entertain us or exploit them,” he said.</p> <p dir="ltr">The museum said it will contact Hirst’s studio to establish whether <em>A Hundred Years</em> can be presented with artificial flies. If not, it has recommended that the work not be presented again.</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

Art

Placeholder Content Image

Sydney’s Queen Victoria Building lights up for good cause

<p dir="ltr">With the COVID-19 pandemic wreaking havoc with retailers across the world, one of Sydney’s iconic shopping hubs has joined forces with the city’s creative industry to support the revival of retail with the launch of a new artistic installation.</p> <p dir="ltr">The <a href="https://www.qvb.com.au/" target="_blank" rel="noopener">Queen Victoria Building</a> (QVB) will be welcoming the new installation, Time to Illuminate, from now until the end of June, along with history tours with EWOL designer Angela Lowe-Liddell - the mastermind behind the installation - on Thursday and Saturday afternoons.</p> <p dir="ltr">Time to Illuminate stands 17.6 metres high and is made of various upcycled materials, including over 4,500 Swarovski crystals taken from the iconic QVB Christmas tree/</p> <p><span id="docs-internal-guid-79d35ac6-7fff-eaef-7c9c-0d627667f470"></span></p> <p dir="ltr">Lowe-Liddell took inspiration for the giant, hanging sculpture from the QVB’s stained glass window.</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/05/qvb2.jpg" alt="" width="1280" height="720" /></p> <p dir="ltr"><em>Image: Supplied</em></p> <p dir="ltr">“There is an overwhelming sense of excitement that can be felt across (the) Sydney CBD as businesses including the QVB join forces to contribute to the post-pandemic recovery,” said Vicinity Centres Head of Marketing, Brand and Experience, Corrine Barchanowicz.</p> <p dir="ltr"><span id="docs-internal-guid-7398fa32-7fff-0fad-c88a-b2bcf2fad16d"></span></p> <p dir="ltr"><em>Image: Supplied</em></p>

Domestic Travel

Placeholder Content Image

A new light festival is heading to Sydney Zoo

<p dir="ltr">Sydney’s newest zoo is welcoming a festival of lights that promises to rival the annual Vivid festival with dazzling exhibitions and a chance to get up close to some iconic critters.</p> <p><span id="docs-internal-guid-7e369fc9-7fff-34bd-6b21-7ab03378e625"></span></p> <p dir="ltr">GLOW will be taking over the Western Sydney zoo in Bungarribee nightly between Friday, May 13 and Sunday, June 5.</p> <blockquote class="instagram-media" style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CdIVzWDqMPo/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"> </div> </div> </div> <div style="padding: 19% 0;"> </div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"> </div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <div style="padding: 12.5% 0;"> </div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"> <div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"> </div> <div style="background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"> </div> <div style="background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"> </div> </div> <div style="margin-left: 8px;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"> </div> <div style="width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);"> </div> </div> <div style="margin-left: auto;"> <div style="width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"> </div> <div style="background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"> </div> <div style="width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"> </div> </div> </div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;"> </div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;"> </div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" href="https://www.instagram.com/p/CdIVzWDqMPo/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank" rel="noopener">A post shared by Sydney Zoo 🦁 (@thesydneyzoo)</a></p> </div> </blockquote> <p dir="ltr">The star of the show will be the GLOW Light Walk, which takes visitors on a full tour of the zoo complete with giant glowing animal lanterns and sculptures, and past the festival’s other attractions, including a12-metre tunnel of fairy lights, and a giant glowing Ferris wheel.</p> <p dir="ltr"><span id="docs-internal-guid-999ef17b-7fff-5aa2-77cb-1020dec7dfb5"></span></p> <p dir="ltr">Fans of creepy crawlies can also enjoy the Reptile &amp; Nocturnal house - the biggest in the country - and come face-to-face with snakes and glowing UV scorpions.</p> <p dir="ltr"><img src="https://oversixtydev.blob.core.windows.net/media/2022/05/glow-1.jpg" alt="" width="1280" height="720" /></p> <p dir="ltr"><em>GLOW’s extensive list of attractions include real-life UV scorpions (left) and towering interactive installations such as Trumpet Flowers (right). Images: Sydney Zoo</em></p> <p dir="ltr">The neon festival will also include the Glow Zone, featuring an ice rink, golf course, and Octopoda, a giant statue with eight tentacle-drums that light up, as well as plenty of food and drink.</p> <p dir="ltr">GLOW has also been designed to be as accessible and inclusive as possible with no hills of steps to grapple with.</p> <p dir="ltr">Tickets start at $25 online - which you can book <a href="https://sydneyzoo.com/glow" target="_blank" rel="noopener">here</a> - or $30 at the gate, while babies under two enter for free.</p> <p dir="ltr"><span id="docs-internal-guid-09f693ab-7fff-720f-8380-e9042b4dbaac"></span></p> <p dir="ltr"><em>Image: Sydney Zoo</em></p>

Domestic Travel

Placeholder Content Image

How an unsolved murder could shed light on an infamous art heist

<p dir="ltr">In the early hours of March 18th 1990, 13 artworks by renowned artists such as Vermeer and Rembrandt were stolen from Boston’s Isabella Stewart Gardner Museum. </p> <p dir="ltr">Collectively valued at $500 million, the artworks were never recovered as investigators failed to pin down one key suspect after the theft. </p> <p dir="ltr">But now, over 30 years on, an unsolved murder of a man in 1991 has given police a new angle on what happened to the art. </p> <p dir="ltr">Jimmy Marks was shot twice on February 20th, the year after the heist, outside his apartment in Massachusetts: 25 minutes northeast of Boston. </p> <p dir="ltr">Jimmy’s murder remains unsolved, and there has not been an arrest made in connection with the high-profile case. </p> <p dir="ltr">Marks was a convicted bank robber and an associate of Robert Guarente, who has long been a person of interest in the case, and who died in 2004. Guarente had been with Marks earlier in the day of his death and is suspected of having been the one to pull the trigger on Marks.</p> <p dir="ltr">“[Marks] had connections to subjects suspected of being involved in the Gardner museum heist,” deputy police chief Mark O’Toole of the city of Lynn, Massachusetts, <a href="https://www.bostonglobe.com/2022/02/27/metro/investigators-suspect-link-between-gardner-museum-heist-an-execution-style-murder-lynn/">told</a> the Boston Globe. “We don’t know what, if any, role he had. But very likely it was related [to his death].”</p> <p dir="ltr">Investigators believe that Guarente was once in possession of two of the stolen works, which he then handed over to another accomplice named Robert Gentile, who died in 2001.</p> <p dir="ltr">A recent tip to investigators said that prior to his death, Marks “was bragging that he was not only in possession of some of the stolen Gardner artwork, he bragged that he had hidden it,” according to Boston 25. Police recently searched the Lynn apartment where Marks once lived, but did not recover anything.</p> <p dir="ltr">Gardner Museum Security Chief Anthony Amore said that the new evidence “needs to be investigated more thoroughly”, as investigators continue their efforts to recover the paintings. </p> <p dir="ltr">Shortly after Marks’ death, investigators first were able to place Guarente and Gentile in the same place. Amore told Boston 25, “The fact that these people converge here around the time of the Marks homicide certainly makes a person hunting for the Gardner paintings sit up and pay attention.”</p> <p dir="ltr"><em>Image credits: Getty Images</em></p>

Art

Placeholder Content Image

How an unusual art installation from 2016 went viral

<p><span style="font-weight: 400;">An art installation created in 2016 by two Chinese artists has been given a new life online, with users on TikTok connecting to the piece. </span></p> <p><span style="font-weight: 400;">The artwork, titled </span><em><span style="font-weight: 400;">Can’t Help Myself</span></em><span style="font-weight: 400;">, showcases a machine inside a glass cube with a robotic arm that is illuminated by fluorescent lighting. </span></p> <p><span style="font-weight: 400;">The robot arm has one task: to sweep up an oozing dark red liquid, made to resemble blood, that slowly spills out in a perfect circle. </span></p> <p><span style="font-weight: 400;">The machine works endlessly on a task that is never finished, to showcase the tiring feeling of endless labour. </span></p> <p><span style="font-weight: 400;">Every now and then, the task is interrupted when the robotic arm breaks into a series of dance moves, giving the machine scarily human characteristics. </span></p> <p><iframe width="560" height="315" src="https://www.youtube.com/embed/jRjrI42WsH4" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen=""></iframe></p> <p><span style="font-weight: 400;">Created by artists </span><span style="font-weight: 400;">Sun Yuan and Peng Yu for New York’s </span><a href="https://www.guggenheim.org/artwork/34812"><span style="font-weight: 400;">Guggenheim Museum</span></a><span style="font-weight: 400;">, the piece uses “visual-recognition sensors and software systems to examine our increasingly automated global reality, one in which territories are controlled mechanically and the relationship between people and machines is rapidly changing.”</span></p> <p><span style="font-weight: 400;">As the exhibit was first installed in 2016, footage of the machine slowing down has gone viral on TikTok, with many younger audiences finding their own devastating meaning in the piece. </span></p> <p><span style="font-weight: 400;">“It looks frustrated with itself, like it really wants to be finally done,” one comment with over 350,000 likes reads. “It looks so tired and unmotivated,” another said.</span></p> <p><span style="font-weight: 400;">Another emotional user commented, “This is what trauma feels like. You can sweep it away but it’s always there no matter what you do.”</span></p> <p><span style="font-weight: 400;">One Twitter user analysed the work, claiming the piece was about “the hydraulic fluid in relation to how we kill ourselves both mentally and physically for money just in an attempt to sustain life, how the system is set up for us to fail on purpose to essentially enslave us and to steal the best years of our lives.”</span></p> <p><span style="font-weight: 400;">With all art, </span><em><span style="font-weight: 400;">Can’t Help Myself</span></em><span style="font-weight: 400;"> is open to interpretation by an objective audience, with the artists welcoming people’s thoughts on its greater meaning.  </span></p> <p><span style="font-weight: 400;">Regardless of how it influences each person, the hypnotising installation has cemented itself in the creative zeitgeist, with audiences finding similarities between their own struggles and a programmed bionic machine. </span></p> <p><em><span style="font-weight: 400;">Image credits: Twitter</span></em></p>

Art

Placeholder Content Image

COVID chaos has shed light on many issues in the Australian childcare sector. Here are 4 of them

<p>Thousands of families are without childcare as <a href="https://www.acecqa.gov.au/resources/national-registers/service-temp-closure-info">hundreds of services</a> have had to close due to a surge in COVID cases, while many more are running at reduced capacity. Many parents dread another <a href="https://theconversation.com/from-covid-control-to-chaos-what-now-for-australia-two-pathways-lie-before-us-174325">chaotic year</a> that may have them jugging <a href="https://thesector.com.au/2022/01/06/executive-functioning-is-much-harder-for-children-from-chaotic-households/">childcare and work</a> at home.</p> <p>The government <a href="https://theconversation.com/the-government-has-again-rescued-the-childcare-sector-from-collapse-but-short-term-fixes-still-leave-it-at-risk-166568">rescued the childcare sector</a> several times over the past two years – making services eligible for a portion of their pre-pandemic payments as families pulled their children out. But these measures were only temporary.</p> <p>The childcare system was already busting at the seams before COVID. I led an <a href="https://uneprofessions.az1.qualtrics.com/jfe/form/SV_38j3CdPsHnM8l81">international survey</a> in 2021, during the pandemic, in which early childhood educators’ gave ideas on how their government could support their work. In Australia, 51 educators participated.</p> <p>Here are four preexisting the issues that have <a href="https://womensagenda.com.au/latest/early-childhood-directors-are-carrying-an-exhausting-load-during-covid-19-even-beyond-major-outbreaks-research/">increased during the pandemic</a>.</p> <h2>1. Staff shortages</h2> <p>Currently, many childcare services are closed and others are operating at reduced capacity because staff are either sick with COVID or close contacts that need to isolate. But staffing problems plagued the sector well before the pandemic, with <a href="https://theconversation.com/early-childhood-educators-are-leaving-in-droves-here-are-3-ways-to-keep-them-and-attract-more-153187">more than a 30% staff turnover</a>.</p> <p>The agency responsible for early childhood education and care, the Australian Children’s Education and Care Quality Authority (ACECQA), released its <a href="https://www.acecqa.gov.au/national-workforce-strategy">National Workforce Strategy</a> in 2021. It revealed 25% of educators have been at their service for less than a year. This high turnover harms relationships with children who need continuity.</p> <p>In a 2021 <a href="https://womensagenda.com.au/latest/73-of-early-educators-plan-to-leave-the-sector-within-three-years/">survey of almost 4,000 Australian educators</a>, 73% said they planned to leave their job within three years. The <a href="https://bigsteps.org.au/wp-content/uploads/2021/08/Exhausted-undervalued-and-leaving.pdf">reasons</a> included low pay, overwork and being undervalued.</p> <p><a href="https://images.theconversation.com/files/440392/original/file-20220112-23-1qok3m4.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/440392/original/file-20220112-23-1qok3m4.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="Child pouring out sand." /></a> <span class="caption">73% of early childhood educators plan to leave the profession.</span> <span class="attribution"><a href="https://unsplash.com/photos/z02yFSgVRbA" class="source">Markus Spiske/Unsplash</a></span></p> <p>Women make up <a href="https://www.acecqa.gov.au/national-workforce-strategy">91% the early childhood education and care workforce</a>. Pay is low in traditionally female occupations, and many educators leave simply because they <a href="https://journals.sagepub.com/doi/full/10.1177/0022185618800351">cannot afford to stay</a>.</p> <p>ACECQA has fast tracked <a href="https://www.acecqa.gov.au/qualifications/requirements/children-preschool-age-or-under/recognition-as-an-equivalent-early-childhood-teacher">quick conversions</a> for primary and secondary school teachers into early childhood education, despite large and important differences in teaching philosophies.</p> <p>But there is unlikely to be a stampede to become one of Australia’s <a href="https://au.indeed.com/career-advice/finding-a-job/lowest-paid-jobs-in-australia">13th lowest paid workers</a>, just above a housekeeper. The national average salary for a childcare worker is A$29.63 per hour, but many earn as little as <a href="https://www.payscale.com/research/AU/Job=Childcare_Worker/Hourly_Rate">A$23.50</a>. This is in comparison to an average school teacher who earns <a href="https://www.payscale.com/research/AU/Job=Primary_School_Teacher/Salary">A$33.65</a> per hour.</p> <p>One educator in our study called for</p> <blockquote> <p>recognition of the equal value of early childhood educators with primary school teachers, especially for university-trained teachers, who experience a huge pay gap.</p> </blockquote> <p>Casualisation in the sector is another issue leading to high turnover. As part of government COVID rescue packages, permanent staff could receive JobKeeper payments, but casual staff at childcare services were not eligible. Many <a href="https://thesector.com.au/2021/08/05/hypervigilance-is-wearing-ecec-educators-down-as-the-pandemic-continues/">casual staff left</a> the sector.</p> <p>Government oversight is needed but there is always confusion about which government is responsible. Then there are also differences between community based and private services.</p> <h2>2. Nobody is responsible for the sector</h2> <p>Australia has one of the <a href="https://theconversation.com/quality-childcare-has-become-a-necessity-for-australian-families-and-for-society-its-time-the-government-paid-up-131748">highest levels</a> of privatisation in early childhood education in the world. This makes it harder for governments to control casualisation. However, the government sets the award wages.</p> <p>In a recent speech to the National Press Club, New South Wales Premier, Dominic Perrottet, <a href="https://www.abc.net.au/news/2021-12-08/perrottet-bid-to-take-over-childcare-from-commonwealth/100681344">said</a> he wanted states and territories to be able to take over responsibility for childcare from the federal government. This was part of his plan for “reform for a postpandemic world” which he said should be “state led, not Commonwealth led”.</p> <p>The federal government funds childcare, through subsidies, but providers are largely private and set their own fees. The state and territory governments fund community preschools.</p> <p>The federal government is responsible for the sector’s standards, frameworks and curricula, but the state and territory governments regulate them. This messy web makes it more difficult to reform the sector and manage costs for families.</p> <p>One level of government taking responsibility for childcare and preschool services will go some way to fixing the problems.</p> <p><iframe width="440" height="260" src="https://www.youtube.com/embed/FIef0mCk7Ao?wmode=transparent&amp;start=0" frameborder="0" allowfullscreen=""></iframe> <span class="caption">NSW Premier Dominic Perrottet wants the states to take over responsibility for childcare.</span></p> <h2>3. Too much paperwork</h2> <p>In <a href="https://thesector.com.au/2021/07/26/acecqa-shares-findings-from-national-workforce-strategy-as-recruiting-challenges-persist/">ACECQA’s survey</a>, educators blamed <a href="https://journals.sagepub.com/doi/10.1177/2043610615597154">administrative overload</a> as one of the <a href="https://thesector.com.au/2021/07/26/acecqa-shares-findings-from-national-workforce-strategy-as-recruiting-challenges-persist/">three main reasons</a> they wanted to leave the profession.</p> <p>The increasing paperwork came as governments created <a href="https://www.google.com/url?sa=t&amp;rct=j&amp;q=&amp;esrc=s&amp;source=web&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=2ahUKEwi86rWw4Jv1AhUTS2wGHSpPD7MQFnoECCYQAQ&amp;url=http%3A%2F%2Fwww.aasw.asn.au%2Fdocument%2Fitem%2F936&amp;usg=AOvVaw0tkTyvOjf6LvcG5WzaJeYG">managerial systems</a> disguised as <a href="https://www.tandfonline.com/doi/abs/10.1080/02680939.2017.1352032">quality assurance</a>, to try to regulate the sector.</p> <p>Now, educators must <a href="https://www.tandfonline.com/doi/abs/10.1080/02680939.2014.924561">collect big data</a> every day, including <a href="https://bigsteps.org.au/wp-content/uploads/2021/08/Exhausted-undervalued-and-leaving.pdf">mountains of checklists</a> for regulation and to document children’s learning. This extra workload <a href="https://educationhq.com/news/managerialism-has-taken-over-in-early-childhood-education-109737/">reduces time</a> spent on quality interactions. It also makes <a href="https://thesector.com.au/2021/10/25/bound-for-burnout-early-childhood-educators-are-swimming-against-a-gendered-micromanaged-tide/">educators feel micromanaged</a>, affecting their <a href="https://doi.org/10.1080/1350293X.2020.1836583">identity and confidence</a>.</p> <p>Echoing the <a href="https://www.pc.gov.au/inquiries/completed/childcare/report/childcare-overview.pdf">Productivity Commission’s findings</a> in 2014, educators in our study said governments must “reduce paperwork”, which they described as “ridiculous”, “complex”, “indecipherable”, “frustrating” and “random”. As one educator said: “we need some paperwork, but we also need to be there for the children”.</p> <p>Over 60% felt frustrated three or more times a week. Nearly 40% of educators said the paperwork required for accreditation compliance (assessment and rating) <a href="https://educationhq.com/news/managerialism-has-taken-over-in-early-childhood-education-109737/">decreased the time</a> they spent with children.</p> <h2>4. High burnout, low morale</h2> <p>Despite being an essential worker, <a href="https://womensagenda.com.au/latest/early-childhood-directors-are-carrying-an-exhausting-load-during-covid-19-even-beyond-major-outbreaks-research/">educators are undervalued</a>, struggling for <a href="https://journals.sagepub.com/doi/10.1177/18369391211050165">recognition</a>. Their strengths <a href="https://www.iejee.com/index.php/IEJEE/article/view/1447/532">are not mentioned</a> in <a href="https://www.acecqa.gov.au/sites/default/files/2020-05/belonging_being_and_becoming_the_early_years_learning_framework_for_australia.pdf">curriculum</a> documents.</p> <p>Overwork is the <a href="https://thesector.com.au/2021/07/26/acecqa-shares-findings-from-national-workforce-strategy-as-recruiting-challenges-persist/">second reason</a> educators want to leave. Our study showed that during the accreditation period, when they need to fill out regulation requirement documents, 50% of staff reported working unpaid hours. <a href="https://thesector.com.au/2021/09/14/accreditation-effects-on-early-childhood-educator-morale/">Staff morale</a> also suffers during accreditation.</p> <p><a href="https://images.theconversation.com/files/440556/original/file-20220112-21-1sgijcd.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=1000&amp;fit=clip"><img src="https://images.theconversation.com/files/440556/original/file-20220112-21-1sgijcd.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=754&amp;fit=clip" alt="Childcare worker talking to kids." /></a> <span class="caption">Despite doing essential work, childcare workers are burnt out and suffer from low morale.</span> <span class="attribution"><a href="https://www.shutterstock.com/image-photo/preschool-teacher-talking-group-children-sitting-1214667421" class="source">Shutterstock</a></span></p> <p>During the pandemic, educators reported an <a href="https://journals.sagepub.com/doi/full/10.1177/18369391211040940">increased burden</a> with extra time needed for cleaning, health requirements, communicating with parents, rearranging work plans and spaces, caring for staff, and constant <a href="https://thesector.com.au/2021/08/05/hypervigilance-is-wearing-ecec-educators-down-as-the-pandemic-continues/">hypervigilance</a>.</p> <p>One said, “I would prefer to work somewhere for the same or similar wage with less stress and take-home work”.</p> <p>Burnout is the <a href="https://link.springer.com/article/10.1007/s13158-020-00264-6">third reason</a> educators want to leave. “The demand on educators is too high. The pressure is intense”, one told us.</p> <p>The National Workforce Strategy recommends directors give educators links to well-being services and strategies. While this is well-meaning, it is simplistic given the level of crisis.</p> <p>For example, we found 70% of educators felt overtired and 60% felt overwhelmed three or more times in the last week.</p> <p>Recognition of childcare as an <a href="https://journals.sagepub.com/doi/full/10.1177/18369391211040940">essential service</a> – with assured funding provision and a more streamlined level of government regulation – is key to reforming the sector’s status, and educators’ pay.</p> <p>The sector is in crisis, so we need to stop talking about ideas to change it and take action towards <a href="https://thrivebyfive.org.au/">total reform</a>.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important; text-shadow: none !important;" src="https://counter.theconversation.com/content/174404/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: https://theconversation.com/republishing-guidelines --></p> <p><span><a href="https://theconversation.com/profiles/marg-rogers-867368">Marg Rogers</a>, Senior Lecturer, Early Childhood Education, <em><a href="https://theconversation.com/institutions/university-of-new-england-919">University of New England</a></em></span></p> <p>This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/covid-chaos-has-shed-light-on-many-issues-in-the-australian-childcare-sector-here-are-4-of-them-174404">original article</a>.</p> <p><em>Image: Pixabay</em></p>

Family & Pets

Placeholder Content Image

Can new lighting save the Mona Lisa?

<div class="copy"> <p>Next time you’re in a museum or art gallery, observe each painting a little more closely. You may notice cracks on the surface of the canvas, especially if the painting is very old.</p> <p>The damage you see is caused by radiant energy striking the painting’s surface – and light (visible radiation) causes irreversible damage to artwork.</p> <p>However, all is not lost. <a rel="noopener" href="https://doi.org/10.1080/15502724.2018.1533852" target="_blank">Our new research</a> shows that optimised smart lighting systems can reduce damage to paintings while preserving their colour appearance.</p> <h2>The dilemma</h2> <p>Damage to artwork by infrared, ultraviolet and visible radiation is <a rel="noopener" href="http://www.cie.co.at/publications/control-damage-museum-objects-optical-radiation" target="_blank">well documented</a>. When a photon (an elementary light particle) is absorbed by a pigment in paint, the pigment molecule elevates to a higher energy state. In this excited state, the molecule’s chemical composition changes. This is called a photochemical action.</p> <p>Viewed from the human perspective, the photochemical action manifests itself as cracks, discolouration, or surface hardening.</p> Not surprisingly, daylight, which includes infrared and ultraviolet radiation, is highly damaging to paintings. In museums, it is common practice to use incandescent, and more recently, light emitting diodes (LEDs), to reduce damage. <p>However, a group of researchers <a rel="noopener" href="http://www.vangogh.ua.ac.be/" target="_blank">showed</a> that light can cause colour degradation regardless of the lighting technology. Bright yellow colours in Van Gogh’s famous Sunflowers are turning dark brown due to absorption of blue and green light from LEDs. Research on the conservation of artwork makes it look like this is a losing battle.</p> <p>Of course, you will be right in thinking that the best conservation method would be the complete absence of light. But we need light for visibility and to appreciate the beauty of a painting.</p> <p>This leaves us with a dilemma of two conflicting parameters: visibility and damage.</p> <h2>Light optimisation</h2> <p>Lighting technology in itself may not be enough to tackle this dilemma. However, the way we use technology can make a difference.</p> <p>Our approach to address this problem is based on three key facts:  </p> <ol> <li>light triggers photochemical actions only when it is absorbed by a pigment</li> <li>the reflectance factor of a pigment (its effectiveness in reflecting light) determines the amount of light absorption</li> <li>light output (composition of the light spectrum, and the intensity of the light) of lighting devices, such as LEDs, can be fine-tuned.</li> </ol> <p>It is possible to measure the reflectance factor of a painting and optimise lighting to reduce absorption. Previous research <a rel="noopener" href="https://www.osapublishing.org/oe/abstract.cfm?uri=oe-23-11-A456" target="_blank">shows</a> that optimising light to lessen absorption can reduce energy consumption significantly, and with <a rel="noopener" href="https://www.osapublishing.org/oe/abstract.cfm?uri=oe-25-11-12839" target="_blank">no loss</a> in visual experience. Objects look equally natural and attractive under optimised light sources compared to regular white light sources.{%recommended 8046%}</p> <p>In this new study, we optimised LEDs for five paintings to reduce light absorption. Using a <a rel="noopener" href="https://ieeexplore.ieee.org/abstract/document/996017" target="_blank">genetic algorithm</a> (an artificial intelligence technique), we reduced light absorption between 19% and 47%. Besides the benefits for the painting, this method almost halved the energy consumed by lighting.</p> <p>In addition to increased sustainability and art conservation, the colour quality of the paintings was another parameter in our optimisation process. Colour appearance and brightness of paintings were held constant not to lower the appreciation of the artwork.</p> <p>This is possible due to a quirk in our visual system. Photoreceptor cone cells, the cells in our retinas which enable human colour vision, are not equally sensitive to the whole visible spectrum.</p> <p>Different combinations of wavelength and intensity can result in identical signals in our brain. <a rel="noopener" href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC1331666/?page=1" target="_blank">This understanding</a> gives us the flexibility of using different light sources to facilitate identical colour appearances.</p> <p>This smart lighting system requires scanning of the artwork to obtain colour information. Then, a <a rel="noopener" href="https://doi.org/10.1117/12.2281482" target="_blank">precise projection system</a> emits optimised lighting to the painting.</p> <p>This method offers a solution to extend the lifetime of works of art, such as the world-famous Mona Lisa, without leaving them in the dark.<!-- Below is The Conversation's page counter tag. Please DO NOT REMOVE. --><!-- End of code. If you don't see any code above, please get new code from the Advanced tab after you click the republish button. The page counter does not collect any personal data. More info: http://theconversation.com/republishing-guidelines --></p> <p><em>Image credits: Getty Images</em></p> </div> <div id="contributors"> <p><em>This article was originally published on <a rel="noopener" href="https://cosmosmagazine.com/technology/can-new-lighting-save-the-mona-lisa/" target="_blank">cosmosmagazine.com</a> and was written by The Conversation. </em></p> </div>

Art

Placeholder Content Image

“He is our guiding light”: Sidney Poitier dies aged 94

<p><span style="font-weight: 400;">Sidney Poitier - the first black actor to win an Oscar for Best Actor - passed away at the age of 94.</span></p> <p><span style="font-weight: 400;">Clint Watson, the press secretary for the Prime Minister of the Bahamas, confirmed Poitier’s death while speaking to </span><em><span style="font-weight: 400;">PEOPLE</span></em><span style="font-weight: 400;"> on Friday.</span></p> <p><span style="font-weight: 400;">Poitier, who broke racial barriers and became one of the most celebrated actors in Hollywood history, died in the Bahamas on Thursday evening.</span></p> <p><span style="font-weight: 400;">The cause of his death is yet to be revealed.</span></p> <p><span style="font-weight: 400;">After winning the Oscar for his role in </span><em><span style="font-weight: 400;">Lilies of the Field</span></em><span style="font-weight: 400;"> in 1963, the actor, director, and activist would go on to inspire future generations of actors.</span></p> <p><span style="font-weight: 400;">He was acclaimed for his performances in classics such as </span><em><span style="font-weight: 400;">Patch of Blue</span></em><span style="font-weight: 400;">, </span><em><span style="font-weight: 400;">To Sir, With Love</span></em><span style="font-weight: 400;">, </span><em><span style="font-weight: 400;">In the Heat of the Night</span></em><span style="font-weight: 400;">, and </span><em><span style="font-weight: 400;">Guess Who’s Coming to Dinner</span></em><span style="font-weight: 400;">, and rejected roles based on offensive racial stereotypes.</span></p> <blockquote class="twitter-tweet"> <p dir="ltr">If you wanted the sky i would write across the sky in letters that would soar a thousand feet high..<br />To Sir… with Love <br />Sir Sidney Poitier R.I.P.<br />He showed us how to reach for the stars</p> — Whoopi Goldberg (@WhoopiGoldberg) <a href="https://twitter.com/WhoopiGoldberg/status/1479478453699330054?ref_src=twsrc%5Etfw">January 7, 2022</a></blockquote> <p><span style="font-weight: 400;">“I felt very much as if I were representing 15, 18 million people with every movie I made,” he <a rel="noopener" href="https://www.adelaidenow.com.au/news/pioneering-movie-star-sidney-poitier-dies-bahamas-government/news-story/645b4b29e818ef6955711931e51e0d4a" target="_blank">once wrote</a> about his experience as the only black person on a movie set. </span></p> <p><span style="font-weight: 400;">Tributes from Barack Obama, Will Smith, Morgan Freeman, and Whoopi Goldberg are among the multitude that have emerged on social media.</span></p> <blockquote class="twitter-tweet"> <p dir="ltr">Through his groundbreaking roles and singular talent, Sidney Poitier epitomized dignity and grace, revealing the power of movies to bring us closer together. He also opened doors for a generation of actors. Michelle and I send our love to his family and legion of fans. <a href="https://t.co/zkYKFSxfKA">pic.twitter.com/zkYKFSxfKA</a></p> — Barack Obama (@BarackObama) <a href="https://twitter.com/BarackObama/status/1479512077878366209?ref_src=twsrc%5Etfw">January 7, 2022</a></blockquote> <p><span style="font-weight: 400;">“Though his groundbreaking roles and singular talent, Sidney Poitier epitomised dignity and grace, revealing the power of movies to bring us closer together,” Obama wrote.</span></p> <p><span style="font-weight: 400;">“An icon, legend, visionary, and true pioneer,” Will Smith wrote in a tribute on Instagram, accompanied by a series of photos of the pair.</span></p> <p><span style="font-weight: 400;">“Thank you Sidney Poitier for breaking down barriers, creating the path and making it possible for there to be a Will Smith!</span></p> <p><span style="font-weight: 400;">“Your legacy is eternal. Rest In Power.”</span></p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CYfEFqMv0NC/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CYfEFqMv0NC/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by Will Smith (@willsmith)</a></p> </div> </blockquote> <p><span style="font-weight: 400;">Aussie actor Hugh Jackman shared an undated throwback photo of Poitier surrounded by A-list Hollywood stars, including Jackman, Oprah Winfrey, Barbara Streisand, and John Travolta, at an intimate dinner.</span></p> <p><span style="font-weight: 400;">“It was here, with this amazing group of friends, that Deb and I met the exceptionally kind hearted, smart, cheeky Sidney Poitier. A life well lived. A man well loved,” Jackman wrote.</span></p> <blockquote style="background: #FFF; border: 0; border-radius: 3px; box-shadow: 0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width: 540px; min-width: 326px; padding: 0; width: calc(100% - 2px);" class="instagram-media" data-instgrm-captioned="" data-instgrm-permalink="https://www.instagram.com/p/CYeWI-DLYOH/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="14"> <div style="padding: 16px;"> <div style="display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style="background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div> </div> </div> <div style="padding: 19% 0;"></div> <div style="display: block; height: 50px; margin: 0 auto 12px; width: 50px;"></div> <div style="padding-top: 8px;"> <div style="color: #3897f0; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;">View this post on Instagram</div> </div> <p style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;"><a style="color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;" rel="noopener" href="https://www.instagram.com/p/CYeWI-DLYOH/?utm_source=ig_embed&amp;utm_campaign=loading" target="_blank">A post shared by Hugh Jackman (@thehughjackman)</a></p> </div> </blockquote> <p><span style="font-weight: 400;">Publicist Mara Buxbaum </span><a rel="noopener" href="https://people.com/movies/sidney-poitier-family-issues-statement-on-his-death-he-is-our-guiding-light/" target="_blank"><span style="font-weight: 400;">issued a statement to <em>PEOPLE</em></span></a><span style="font-weight: 400;"> on behalf of Poitier’s family, who described him as “a man of incredible grace”, as well as a “devoted and loving husband and adoring father”.</span></p> <p><span style="font-weight: 400;">“There are no words to convey the deep sense of loss and sadness we are feeling right now. We are so grateful he was able to spend his last day surrounded by his family and friends,” the statement began.</span></p> <p><span style="font-weight: 400;">“To us Sidney Poitier was not only a brilliant actor, activist and man of incredible grace and moral fortitude, he was also a devoted and loving husband and adoring father, a man who always put family first.</span></p> <p><span style="font-weight: 400;">“He is our guiding light who lit up our lives with infinite love and wonder. His smile was healing, his hugs the warmest of refuge, and his laughter was infectious. We could always turn to him for wisdom and solace and his absence feels like a giant hole in our family and our hearts,” the statement continued.</span><span style="font-weight: 400;"><br /></span><span style="font-weight: 400;">“Although he is no longer here with us in this realm, his beautiful soul will continue to guide and inspire us. He will live on in us, his grandchildren and great-grandchildren - in every belly laugh, every curious inquiry, every act of compassion and kindness. His legacy will live on in the world, continuing to inspire not only with his incredible body of work, but even more so with his humanity.”</span></p> <p><span style="font-weight: 400;">The family added: “We would like to extend our deepest appreciation to every single one of you for the outpouring of love from around the world. So many have been touched by our dad’s extraordinary life, his unwavering sense of decency and respect for his fellow man. His faith in humanity never faltered, so know that for all the love you’ve shown him, he loved you back.”</span></p> <p><span style="font-weight: 400;">Poitier is survived by his wife Joanna Shimkus and his five daughters: Beverly, Pamela, Sherri, Anika and Sydney.</span></p> <p><em><span style="font-weight: 400;">Image: Getty Images</span></em></p>

News